@misc{iber_breeze_2016, address = {Hochschule Darmstadt}, title = {A {Breeze} of {Familiarity}}, abstract = {Apart from storing audio recordings as timebased series of discrete sample values in wave files, they can also be conserved as multidimensional datasets containing retrievable information e.g. about frequency and phase distributions at discrete points of time. In order to use these data sets to generate musical scores, the enormous amount of information needs to be reduced to the main frequency components and a limited set of dynamic levels. Also a time grid needs to be imposed in order for the score to be playable by musicians. What do we perceive? Does our Proustian Memory take over and sets us onto the trails of our emotional past or do we perceive a music completely new to us? And: What, if we get to know about the underlying original music?}, author = {Iber, Michael}, month = sep, year = {2016}, keywords = {Forschungsgruppe Media Computing, Institut für Creative Media Technologies}, }