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FH-Prof. Dr. Michael Iber

  • Academic Director E³UDRES²
  • Lecturer
  • International Coordinator
  • Department of Media and Digital Technologies
Location: A - Campus-Platz 1
M: +43/676/847 228 655

Study programmes

  • Digital Media Technologies (MA)
  • Interactive Technologies (MA)
  • Rail Technology and Management of Railway Systems (MA)
  • Digital Design (MA)
  • Digital Media Production (MA)
  • Media Technology (BA)
  • Creative Computing (BA)

Departments

  • Rail Technology and Mobility
  • Media and Digital Technologies

Projects

Publications

Rind, A., Enge, K., & Iber, M. (2023, September 29). SoniVis: Datenanalyse mit Augen und Ohren [Demo & Poster]. European Researchers" Night 2023, Graz.
de Jesus Oliveira, V. A., Slijepčević, D., Dumphart, B., Ferstl, S., Reis, J., Raberger, A.-M., Heller, M., Horsak, B., & Iber, M. (2023). Auditory feedback in tele-rehabilitation based on automated gait classification. Personal and Ubiquitous Computing. https://doi.org/10.1007/s00779-023-01723-2
Iber, M., Enge, K., Rind, A., Höldrich, R., Rönnberg, N., Bruce, W., & Aigner, W. (2023). Audio-Visual Analytics Community: Bringing Senses to Mind | Panel Discussion at ICAD 2023. 2.
Enge, K., Rind, A., Iber, M., Höldrich, R., & Aigner, W. (2023). Towards a Unified Terminology for Sonification and Visualization. Personal and Ubiquitous Computing, 27(5), 1949–1963. https://doi.org/10.1007/s00779-023-01720-5
Aigner, W., Enge, K., Iber, M., Rind, A., Elmqvist, N., Höldrich, R., Rönnberg, N., & Walker, B. N. (2022, October 20). Audio-Visual Analytics: Potential Applications of Combined Sonifications and Visualizations [Application Spotlight]. IEEE VIS 2022, Oklahoma City, US. https://ieeevis.org/year/2022/info/spotlights#spot2
Iber, M. (2022, October 14). Research in sound & music computing @ St. Pölten University of Applied Sciences [Guest researcher"s presentation]. E3UDRES2 Work Package 4 Meeting G3-MTG19, Virtual Meeting.
Iber, M., Enge, K., Neidhardt, A., Rönnberg, N., Pollack, K., Schnell, N., & Turchet, L. (Eds.). (2022). Proceedings of the 17th International Audio Mostly Conference (AM "22). ACM. https://dl.acm.org/doi/proceedings/10.1145/3561212
Aigner, W., Enge, K., Iber, M., Rind, A., Elmqvist, N., Höldrich, R., Rönnberg, N., & Walker, B. N. (2022). Workshop on Audio-Visual Analytics. Proceedings of the 2022 International Conference on Advanced Visual Interfaces, 92:1-92:4. https://doi.org/10.1145/3531073.3535252
Enge, K., Rind, A., Iber, M., Höldrich, R., & Aigner, W. (2022). Towards Multimodal Exploratory Data Analysis: SoniScope as a Prototypical Implementation. In M. Agus, W. Aigner, & T. Hoellt (Eds.), Proc. 24th Eurographics Conference on Visualization (EuroVis 2022) - Short Papers (pp. 67–71). Eurographics Association. https://doi.org/10.2312/evs.20221095
Enge, K., Rind, A., Iber, M., Höldrich, R., & Aigner, W. (2021). It’s about Time: Adopting Theoretical Constructs from Visualization for Sonification. Proceedings of the 16th International Audio Mostly Conference (AM"21), 64–71. https://doi.org/10/gnhmbh
Aigner, W., Enge, K., Iber, M., Rind, A., Elmqvist, N., Höldrich, R., Rönnberg, N., & Walker, B. N. (2021). Workshop on Audio-Visual Analytics – Identifying Research Gaps for Integrating Sonification and Visualization. Audio Mostly Workshops.
Iber, M., Dumphart, B., Oliveira, V. A. de. J., Ferstl, S., Reis, J., Slijepcevic, D., Heller, M., Raberger, A.-M., & Horsak, B. (2021). Mind the Steps: Towards Auditory Feedback in Tele-Rehabilitation Based on Automated Gait Classification. In Proceedings of the 16th International Audio Mostly Conference (AM"21). Audio Mostly 2021. https://doi.org/10/gnt2tc
Dumphart, B., Schimakno, M., Nöstlinger, S., Iber, M., Horsak, B., & Heller, M. (2021). Validity and reliability of a mobile insole to measure vertical ground reaction force during walking. XXVIII Congress of the International Society of Biomechanics, Virtual Meeting.
Iber, M., Lechner, P., Jandl, C., Mader, M., & Reichmann, M. (2020). Auditory augmented process monitoring for cyber physical production systems. Personal and Ubiquitous Computing. https://doi.org/10/ghz24q
Rottermanner, G., Oliveira, V. A. D. J., Kreiger, M., Graf, P., Rokitansky, C.-H., Eschbacher, K., Settgast, V., Grantz, V., Iber, M., Lechner, P., Judmaier, P., & Wagner, M. (2020). Design and Evaluation of a Tool to Support Air Traffic Control with 2D and 3D Visualizations. 2020 IEEE Conference on Virtual Reality and 3D User Interfaces (VR), Atlanta, USA. https://doi.org/10/ghppx4
Iber, M. (2020). Auditory Display in Workspace Environments. In M. Filimowicz (Ed.), Foundations in Sound Design for Embedded Media: A Multidisciplinary Approach (pp. 131–154). Routledge.
Jandl, C., Mader, C., & Iber, M. (2019). AARiP-Virtual Reality App for Oculus Go (1.0).
Iber, M., Lechner, P., Jandl, C., Mader, M., & Reichmann, M. (2019). Auditory Augmented Reality for Cyber Physical Production Systems. AudioMostly (AM"19). AudioMostly (AM"19), Nottingham, UNited Kingdom. https://doi.org/10.1145/3356590.3356600}
Rind, A., Iber, M., & Aigner, W. (2018). Bridging the Gap Between Sonification and Visualization. Proc. AVI Workshop on Multimodal Interaction for Data Visualization (MultimodalVis). https://doi.org/10.5281/zenodo.6510341
Rottermanner, G., Wagner, M., Kalteis, M., Iber, M., Judmaier, P., Aigner, W., Settgast, V., & Eggeling, E. (2018). Low-Fidelity Prototyping for the Air Traffic Control Domain. Mensch Und Computer 2018 - Workshopband, 605–614. https://dl.gi.de/handle/20.500.12116/16931
Seidl, M., Moser, T., Blumenstein, K., Zeppelzauer, M., & Iber, M. (Eds.). (2018). FMT 2018 - Proceedings of the 11th Forum Media Technology and 4th All Around Audio Symposium. CEUR-WS.org. http://ceur-ws.org/Vol-2299/
Rottermanner, G., Wagner, M., Settgast, V., Grantz, V., Iber, M., Kriegshaber, U., Aigner, W., Judmaier, P., & Eggeling, E. (2017). Requirements Analysis & Concepts for Future European Air Traffic Control Systems. Workshop Vis in Practice - Visualization Solutions in the Wild, IEEE VIS 2017. http://mc.fhstp.ac.at/sites/default/files/publications/Rottermanner_2017_Requirements.pdf
Aigner, W., Moser, T., Blumenstein, K., Zeppelzauer, M., Iber, M., & Schmiedl, G. (Eds.). (2017). FMT 2017 - Proceedings of the 10th Forum Media Technology and 3rd All Around Audio Symposium. CEUR-WS.org. http://ceur-ws.org/Vol-2009/
Aigner, W., Schmiedl, G., Blumenstein, K., Zeppelzauer, M., & Iber, M. (Eds.). (2016). FMT 2016 - Proceedings of the 9th Forum Media Technology and 2nd All Around Audio Symposium. CEUR-WS.org. http://ceur-ws.org/Vol-1734/
Iber, M. (2016, September 13). A Breeze of Familiarity. reality re:coded, Hochschule Darmstadt.
Felberbauer, T., Moser, T., Iber, M., & Fidler, F. (2016). DataViSon: ein Schritt hin zur dezentralen Produktionssteuerung. Industrie 4.0 Management, 32(6), 22–26.
Endemann, M. (2016). Die musizierende Schuhsohle - So klingt Ihre persönliche Gangstörung. In radiodoktor – das ö1 gesundheitsmagazin. Ö1. http://oe1.orf.at/programm/454122
Gorgas, A.-M., Schön, L., Dlapka, R., Doppler, J., Iber, M., Gradl, C., Kiselka, A., Siragy, T., & Horsak, B. (2016). Short-Term Effects of Real-Time Auditory Display (Sonification) on Gait Parameters in People with Parkinsons’ Disease—A Pilot Study. In J. Ibáñez, J. González-Vargas, J. M. Azorín, M. Akay, & J. L. Pons (Eds.), Converging Clinical and Engineering Research on Neurorehabilitation II (pp. 855–859). Springer International Publishing. https://doi.org/10/gnt2th
Fischer, T., & Kiselka, A. (2016). An Auditory Feedback System in Use with People Aged +50 Years: Compliance and Modifications in Gait Pattern. 3rd International Conference on NeuroRehabilitation, Segovia, Spain.
Fischer, T., Kiselka, A., Dlapka, R., Doppler, J., Iber, M., Gradl, C., Gorgas, A.-M., Siragy, T., & Horsak, B. (2016). An Auditory Feedback System in Use with People Aged +50 Years: Compliance and Modifications in Gait Pattern. In J. Ibáñez, J. González-Vargas, J. M. Azorín, M. Akay, & J. L. Pons (Eds.), Converging Clinical and Engineering Research on Neurorehabilitation II (pp. 881–885). Springer International Publishing. https://doi.org/10/gnt2tg
Horsak, B., Dlapka, R., Iber, M., Gorgas, A.-M., Kiselka, A., Gradl, C., Siragy, T., & Doppler, J. (2016). SONIGait: a wireless instrumented insole device for real-time sonification of gait. Journal on Multimodal User Interfaces, 10(3), 195–206. https://doi.org/10/gh38bg
Siragy, T., Doppler, J., Gorgas, A.-M., Dlapka, R., Iber, M., Kiselka, A., Gradl, C., & Horsak, B. (2016). Framework for Real-time Auditory Display of Plantar Pressure during Walking. Tagungsband Des 10. Forschungsforum Der Österreichischen Fachhochschulen. 10. Forschungsforum der Österreichischen Fachhochschulen, Wien, Österreich.
Iber, M. (2015, September 17). Sonification and Music - the thin line between art and information [Keynote]. Electroacoustic Winds, Aveiro, Portugal. http://eaw.web.ua.pt
Iber, M., Horsak, B., Bauer, K., Kiselka, A., Gorgas, A.-M., Dlapka, R., & Doppler, J. (2015). Pilotstudie zur sonifikationsgestützten Ganganalyse. Forum Medientechnik - Next Generation, New Ideas, 51–68.
Horsak, B., Iber, M., Bauer, K., Kiselka, A., Gorgas, A.-M., Dlapka, R., & Doppler, J. (2015). A wireless instrumented insole device for real-time sonification of gait. Proceedings of the 21st International Conference on Auditory Display, 94–101.
Iber, M. (2014). Auditory Logistic Analysis.
Iber, M., & Windt, K. (2012). Order-Related Acoustic Characterization of Production Data. Logistics Research, 5(3–4), 89–98. https://doi.org/10/ghppzm
Iber, M., Klein, J., & Windt, K. (2012). Die Grooving Factory - Logistische Datenanalse im Klanglabor. In A. Schoon & A. Volmar (Eds.), Das geschulte Ohr: Eine Kulturgeschichte der Sonifikation (1st ed., pp. 147–162). Transcript. http://www.amazon.de/Das-geschulte-Ohr-Kulturgeschichte-Sonifikation/dp/3837620492/ref=sr_1_1?ie=UTF8&qid=1330036444&sr=8-1
Iber, M., & Windt, K. (2011). Grooving Factory : Engpassanalyse in der Produktionslogistik. In A. Frotschnig & H. Raffaseder (Eds.), Forum Medientechnik - Next Generartion, New Ideas (pp. 83–91). Verlag Werner Hülsbusch.
Iber, M. (2005). soundalike: sounds like sounds we like. Neue Zeitschrift Für Musik, 166(6), 16–17.